How many times have you said to your kids “Do as I say”, and sometimes complete the sentence “not as I do”? Well, I had one of those moments this past Saturday.

I decided to go roller-blading with the kids on Saturday, and, of course, said to myself “I don’t need to wear all those fancy pads” that are in my closet. And now am regretting it. All was well until the last 5 minutes when my skates went one direction and I went another, and ended up on my backside.

Now my right wrist is sprained, which makes typing and mousing (which I do 90% of the day for work) a little difficult.

The family and friends have gotten quite a laugh out of this. Ha ha.

I just realized I didn’t wrap up my day 2 at NAB. Only being at NAB 2 days this year made it a really quick trip. I didn’t even venture out onto the strip, and missed seeing things like the fountains at the Bellagio, especially with my new camera. Oh well, fodder for next year.

The main hilight of day 2 was the 8k Ultra High-Def demo from NHK. Absolutely stunning. Presented on a 400-inch screen, it was completely amazing — as if they opened up a window and we were peering out on the beach of some ocean, following a hang glider over the cliff. It was so clear it was almost unnerving. They had footage of the Pro Bowl in Hawaii and you could read the shirt of a player on the other end of the field, or see logos on tee-shirts of fans in the stands. One scene was a field of sunflowers, and you could see the pollen grains on the leaves of the plants. In addition to the visuals, the demo included 22.2 surround sound, which was crystal clear and enveloping. Most amazing.

I made a mad dash around the rest of the show floor for the rest of the day (sat in on a couple of demos at Adobe, but other than that, just walked around). The show seemed a little lighter this time, but that may have been my haste to see it all.

Flew back early Wednesday morning and was right back into the swing of work… too much going on!

Well, day one is done and I’m beat. I spent most of my time in Apple’s booth checking out all the new goodness that is Final Cut Studio 2, but managed to see a little bit more in the south hall, including a new camera from Sony and various other booths.

Being an Apple guy and an Apple integrator, I’m most interested in what Cupertino has been up to. Here’s what it boils down to:

• Final Cut Pro 6. They’ve expanded and refined the capabilities of RT Extreme to more gracefully deal with multiple formats in the same timeline. They’ve made the UI a little more friendly by asking you if you want to set up a new sequence’s settings based on the first clip you drag in. They’ve made roundtripping to the other apps a little smoother, including templating of motion projects. They’ve increased the usage of FXPlug filters, including some technology from Shake for motion tracking and shake removal. And they’ve added the new Apple ProRes 4:2:2 codec for extremely efficient HD resolution with 4:2:2 colorspace in SD filesizes.
• Motion 3. This is perhaps the strongest upgrade in the lot. Motion is now fully 3-D in it’s capabilities, from cameras to lighting to particle systems to text effects to behaviors. They’ve added an extremely cool new feature to the HUD to control the positioning and movement of objects in 3-D space without the normal complexities of dealing with many objects in the scene. They’ve added significant new filters with FX Plug technology, including some inheritance from Shake. Very cool indeed.
• Soundtrack Pro 2. Surround sound. Advanced take management and audio restoration tools. Multipoint spotting display. Podcasting. All around, a significant upgrade to an already powerful tool.
• Compressor 3. This appears to be almost a from-the-ground-up rewrite of compressor as we’ve known it. New workflow to include migration of transcoded assets to remote servers, dozens of new presets, the ability to overlay animated watermarks and timecode burn-ins at transcode, and more efficient use of multi-core Macs, this is a strong contender.
• Color. Here’s something groundshaking. Apple bought Final Touch last year, and now we see that repackaged with enhancements into Color. While it is a first-class color timing package (not just a set of filters), the amazing thing is what was once a $5,000+ package is now “in the box.”
• The Rest. DVD Studio Pro remains unchanged at version 4. Live Type 2 and Cinema Tools are unchanged as well. But in the box with all of these other tools at a price point of $1,299 new and $499 upgrade… simply astounding.

I look forward to getting my hands on these tools when they finally ship in May. Go check out all the demos at Apple.

I’m curious about the DVDSP non-upgrade, tho. Methinks this has to do with hardware arrangements more than anything. There’s got to be a reason they’ve been shipping the Mac Pro towers with two optical bays… I think Apple hasn’t finalized negotiations with Blu-Ray and HD-DVD burner providers, and is holding the next version of DVDSP until those arrangements are made. Surely that won’t slip until next NAB.

The other huge introduction, as if the above isn’t enough, is Final Cut Server. FCS is a repackaging of Proximity’s ArtBox media asset server product, which Apple purchased back in December 2006. Used in conjunction with Xsan systems, it looks to be a very powerful way to aggregate and catalog media in a production environment. And the price point again is hard to beat: $999 for 10 concurrent users, and $1,999 for unlimited users. This will be very useful for some of my clients.

Since I’ve only a day more on the floor, I’m going to hit it commando-style tomorrow and try to see as much as I can. I need to ask some more questions at Apple’s booth, since that most directly relates to things that make money for me, but I want to see what else is out there as well. Let’s hope the old feet hold up.

I’m here in Vegas, checked in and on-line. Got some work to do before going to bed… early morning and lots of floor to walk tomorrow.

I’m headed for a plane in a few hours, but the news is already starting to flow out of NAB in Las Vegas. Apple announced the release of Final Cut Studio 2, including upgrades to FCP, Motion, Sound Track Pro, and Compressor, plus the inclusion of Color, which was acquired from Silicon Touch. DVD Studio Pro seems to remain at version 4, which is a little surprising; many expected HD-DVD or Blu-Ray announcements from Cupertino this NAB.

Apple also announced Final Cut Server, a multi-user asset management and workflow app that I believe comes from the acquisition of Proximity.

Anyway, good stuff to see. I’ll report more from Vegas once I’m on the ground there.

After thinking about it for a while (and reading other’s reactions around the web), it’s starting to make a little more sense… The iPhone (and, truth be told, the AppleTV) are the next outlets for OS X. I’m almost positive (as are others) that the next iteration of the OS will have a resolution independent scaling engine for the main UI elements. This is directly useful in the iPhone, since it’s display has a pixel density almost 4 times that of a standard computer LCD screen. Plus Core Animation. Plus a host of other things at the core of the OS. So it makes sense that the Leopard team would be working feverishly on the iPhone OS as well. It’s two strains of the same thing.

There’s an old axiom in computer science that states “adding developers to a late software project only makes it later.” (this applies to more than just software, but for that particular discipline, it’s acutely true). However, in this case, people weren’t added to a wholly different product. Their focus was just expanded to include a larger target platform space.

Have you noticed that there’s room for 5 more icons on the main iPhone screen? Do you think those “secret” features that haven’t been announced for Leopard are only for the desktop version of the OS? What if one of those secret features was the iPhone itself?

Something tells me that this will just make the iPhone better. And that’s a good thing. I’m still curious what it’s going to do for the Pro Apps, though. I’ll find out in Vegas in a couple of days.

Apple delays Leopard (Mac OS X 10.5) until October 2007.

Apple Statement
iPhone has already passed several of its required certification tests and is on schedule to ship in late June as planned. We canâ??t wait until customers get their hands (and fingers) on it and experience what a revolutionary and magical product it is. However, iPhone contains the most sophisticated software ever shipped on a mobile device, and finishing it on time has not come without a price â?? we had to borrow some key software engineering and QA resources from our Mac OS X team, and as a result we will not be able to release Leopard at our Worldwide Developers Conference in early June as planned. While Leopard’s features will be complete by then, we cannot deliver the quality release that we and our customers expect from us. We now plan to show our developers a near final version of Leopard at the conference, give them a beta copy to take home so they can do their final testing, and ship Leopard in October. We think it will be well worth the wait. Life often presents tradeoffs, and in this case we’re sure we’ve made the right ones. [Apr 12, 2007]

Wow. Bummer. Don’t get me wrong, I’m drooling for an iPhone as much as the next guy, but not at the expense of Leopard. The thing I’m curious about is how this shakes other things up. Like Final Cut Pro 6, for example. Guess I’ll find out about that on Sunday at NAB.

So, here’s a little story: I ordered an Apple TV the moment the Apple store came back on-line after Steve Jobs’ MacWorld keynote back in January. I was pumped. Here was the media access device for my home network and big screen TV that I had been looking for for years. And it would be shipping in February. Cool.

Then February came and I got a nice little email from Apple saying that they really needed a couple more weeks to make things perfect. So it wouldn’t be shipping until March. Well, OK. I can understand that.

Then the middle of March came and went and no ship notice from Apple. Getting a little nervous, I went back thru the specs that Apple had published on the device, as well as several tech blogs that had been speculating and previewing it. And finally I decided that it just might not do everything I really wanted it to do. So, three days before it finally shipped, I cancelled my order.

Fast forward about three weeks to today. As part of our monthly Final Cut Pro User’s Group meeting, I’ve been called upon to review the device and demonstrate it for the group. So a buddy of mine drops his brand new AppleTV off to me last night and I spent a few hours playing with it. Here’s my review.

It’s pretty cool. But, it’s version 1.0.

OK, first, what is it? The easiest way to explain what AppleTV is is this: it’s an iPod for your TV. It behaves almost exactly like an iPod with respect to it’s interaction with and reliance upon iTunes. It shows up in iTunes as a device, just like an iPod. The preference panels are almost identical, allowing you to select what to sync with it, and it has an internal hard drive that caches the synced content, just like an iPod. The only real difference is it can stream from other iTunes machines on the network.

Even the unboxing was remarkably similar to the iPod experience. The package is the same slipcase design that the new iPods ship in, an unfolding container in a sleeve. The packaging is distinctively Apple. Clean, elegant, efficient, inviting. “Designed by Apple, Inc. in California.” The whole schtick. In the box is the unit itself (a little lighter than I expected), a power cord, the “gum package” Apple remote, and a sleeve of thin manuals. No fluff. Just what one has come to expect from modern Apple packaging.

After peeling the cellophane wrapping off of the unit and remote, I unplugged the HDMI cable from my HD-DVD player and plugged it into the AppleTV, and then plugged the power cord in. No on/off switch. I flipped my TV to the second HDMI input and the Apple logo appeared on the screen.

Once of the touches that makes Apple products distinctively Apple is the fit and finish of the user experience. AppleTV lives up to that expectation (for the most part, more on that later). Instead of jarring visuals that blink on and off, the screen is very clean and elegant. Transitions from one screen to the next are dissolves. The remote is simple and works just as you’d expect. Holding the up or down button down will scroll quickly thru lists, picking up speed as it goes. But I never seemed to overshoot what I was aiming for. They really seemed to spend some time and effort timing the interface and navigation. It felt very natural.

Setup was a breeze. I intentionally noted the time so I could see how long it would take to get things going. I didn’t need to. It took 3 minutes. After showing the Apple logo for a few seconds, the screen faded and then showed me a list of the wireless networks that the unit could find (6 in my case). I selected my network, and the unit let me know that the network was a closed wireless network, and gave me a virtual keyboard on the screen where I could “type” the password (upper- and lowercase, numbers and symbols). After a couple of tries at remembering my password it immediately attached to the network and found the machines I had on that had iTunes running.

The next screen showed a 5 digit code. Looking at my notebook’s iTunes screen, I noticed that the AppleTV had appeared in my device list on the left with a small message “click to setup”. Clicking on it AppleTV item in the list, I was immediately asked for the 5 digit code from the screen. After entering the code, the system informed me that setup was complete and ran the AppleTV intro video (very slick, reminded me of the TiVo setup complete movie).

My iTunes began to sync with the AppleTV, moving content from my library to the unit. As the content flowed into the unit, it started showing up as I navigated around the menus. Video content first, then music. Photo syncing was disabled by default, but after checking the box on the Photos tab, iTunes began to sync pictures down to the AppleTV.

Some things I noticed while playing around for a couple of hours:

• As I said above navigation is very smooth and intuitive. Anyone could navigate this system and find what they’re looking for. There is room for improvement, but if you have your iTunes library organized well, that will translate directly down to the AppleTV, just like it does to the iPod.
• The “screen saver” features are very cool. When playing music, the album artwork flips sides every 20 seconds or so. After a couple of minutes (configurable), the true screen saver kicks in, showing a collection of photos floating in space, doing a 360-degree fly-around every 30 seconds or so. Very, very nice effect. However, it’s not random. The selection of the pictures can be random, but the fly-by pattern is very predictable and the same every time. That’s a little bit of fit and finish that could be better.
• The remote is the same that came with my MacBook Pro, and it was annoying that every time I hit the menu button to control the unit, Front Row would come up on my MBP. I don’t know of a way to dedicate a remote to a particular unit. I know there must be a way, but it’s not obvious. That could be better.
• When selecting a movie or video that you weren’t finished with last time, the system brings up the current frame from where you left off, blurred, with an overlay that asks if you want to resume or start from the beginning. Very nice touch.
• When playing video, syncing stops. It seems to work fine as long as music is being played… syncing continues in the background. But when you start a video, any sync in progress is cancelled. Within seconds of stopping the video, the sync picks back up and continues. Interesting, and nice way to make it feel seemless. Makes me think that decoding and playing out video is rather taxing on the unit, or that Apple is being conservative about bandwidth and cancels a sync just in case you’re streaming the video over the air. I haven’t tried, but I wonder if the same holds true when the unit is wired into the network instead of using 802.11n.

After playing with the unit for a couple of hours, I’m very tempted to get one to stay. However, there are a few nagging details and deficiencies that I’ve found, confirming my suspicion that caused me to cancel my order before they shipped.

• The unit doesn’t play VOB files (raw VIDEO_TS folders, or rips of DVDs). My goal is to rip my DVD collection and have it available at any time at my media center without having to go hunt for a disk. That includes, especially, the director’s commentary and subtitles. Here’s the deal: I’ve ripped to H.264 about 30 of my DVDs, mainly to have available for trips on the iPod or on the computer to occasionally have running in the background while working on other things. This works great, and those ripped MP4 files play fine on the Apple TV (see the point on that below). However, currently ripping to MP4 doesn’t support alternate audio, selectable subtitles, or chapter stops. Those are biggies in my mind. The easiest way that AppleTV could deal with that in my opinion is allowing you to point it at a network share and have it recognize VIDEO_TS folders within. This could be fixed with a software upgrade. We’ll see.
• Resolution. The resolution setting menu indicates the unit can output 720p, 1080i, 546p, 480p, and 720p50 or 1080i50 (for the European crowd, I guess). I didn’t notice any appreciable difference between 1980x1080i and 1280x720p. The menus are extremely crisp, but when playing video, it was noticeably soft. This was especially true of a 640×480 DVD rip (to be somewhat expected), but also true of a true 720p .MOV that I moved over to the unit. By contrast, by Toshiba HD-A1 HD-DVD player scales up SD DVDs exceptionally well. The Incredibles, for example, looks stunning on my Samsung 67″ in 1080i. I’m a little concerned that the processor in the AppleTV is a little underpowered for HD content at higher bit-rates.
• Photo viewing is a little jerky. You have the option to select different effects and apply the “Ken Burns” move on photos when viewing a slideshow, but the starts and stops aren’t near as fluid as they are on the built-in screen saver in OS X. I was thinking this unit could double as a picture frame (like the one I built), but it’s not near as pleasing to watch. Looks like Apple didn’t quite finish this feature out. Also, there’s no apparent way to scroll thru pictures, only play them in a slideshow fashion.
• Another problem with photos is during the “screen saver”, the photos seem to be a little squished. I don’t think the software is respecting the aspect ratio of the images… might just be me. I need to throw a calibration image in a see if it really is warped.
• Podcasts. Podcasting is a perfect delivery method and content source for this unit, especially as more and more video podcasts become available. However, because of it’s direct tie to an iTunes library running on another computer, there’s no way to aggregate podcast content on this box directly. There should be a way to subscribe the AppleTV itself to RSS feeds (it is on the network, after all), and let the content flow directly down to the box. I would definitely subscribe to more video podcasts (and watch them eventually), if they were on the box directly, but I don’t necessarily want them taking up space on my main computer.
• Photocasts. Just like RSS with enclosures (podcasts), Apple missed a huge opportunity to tie the Photocasting idea from iPhoto into this unit. Image this: I purchase an AppleTV for my kids grandparents, and subscribe them to a Photocast of the latest pictures of the kiddos. Now they have a photoframe of their grandkids continuously updated, right there on the big screen in the living room. Huge deal.
• Purchases. There’s no way to purchase directly from this box. There’s a real missed opportunity for Apple here, in my opinion. I should be able to browse the iTunes store for content, preview and purchase, all from my couch. As it stands, I can preview minimally (the top 10 videos on the store), but if I want to purchase one I have to go to the other room, log in, find the item again, purchase it, let it download, and sync to watch it on my TV. Not the experience that sells this box, I’m afraid. Once again, I think this could be remedied with a software upgrade, but I think these things would be flying off the shelf a lot faster if the whole experience was seemless.
• Internet Streaming. On top of not being able to make purchases on the unit, you can’t browse and stream video from popular sharing sites like YouTube either. I’m not sure this is completely a downside, as the average consumer is probably not going to want to try to search for that type of content without a keyboard, nor watch poorly transcoded flash video on a 60″+ screen. But the fact remains that Apple TV is a network-connected device that doesn’t take advantage of the Internet like it probably should.
• The trailers don’t seem to be completely up to speed with Apple’s trailer site. Plus, there’s no way to resort the list to see the newest trailers up top, only alphabetical. The system should alert me when there are trailers I haven’t seen, show me which ones they are, and let me find things either by release date, title, genre, etc. That would be much more useful and user friendly.
• The hard drive is entire too small for a unit of this type. With movies from the iTunes store weighing in at 1.5GB or so and TV shows at 500-600MB, this unit won’t hold much. Even my TiVo has a 250GB drive in it. Apple put a USB2 on the unit, but designated it for “service and diagnostics” only. They should’ve come out of the chute with the ability to buy an off-the-shelf external USB drive and plug it in for additional storage. And as I said above, I should be able to point the unit at a network share with content as well. I know it can stream from multiple iTunes libraries, but switching between streaming computers is a little clumsy, and the setup time to display library information is annoyingly long. I should be able to point the unit at multiple libraries or shares, have it aggregate and cache the content meta-data, and present it in a unified interface. I shouldn’t have to care that video A is coming off of the computer in my office while video B is coming off the local drive. In fact, when I start playing video A from the remote computer and get 5-10 minutes into it non-stop, the AppleTV should go ahead and copy the remainder to the local drive and play it from there. That’s what the internal drive should be used for, a cache of recent or most accessed content.

Overall, the AppleTV is a very nice unit and very close to the right price point. I think it would probably sell like gangbusters in its present form at $199, but the $299 could easily be justified by the masses if a few of the above criticisms were addressed. While I’m probably going to go ahead with plan B, putting a Mac Mini in instead, I’ll be very interested to see what Apple TV version 2.0 looks like.

And I bet we see it before Christmas.

Boy, for some reason, I’m feeling old today.

ugh.

It’s absolutely amazing that people would take the time to either manually create comments on blogs they have no relation to in order to elevate their ranking in Google by embedding links, or, worse yet, take the time to write sophisticated bots to do their bidding for them. I used to employ a Captcha in order to weed the humans out from the machines, but even then, the manual comment spammers would get thru and I’d have to block their postings.

I’ve since gone to Akismet spam checking, and it’s working pretty well… no false positives yet, and no false negatives either… but the amount of attempts is bewildering. It’s already filtered over 250 spam comments.

Don’t even get me started on email spam. I get, easily, 250 spams a day through my various email accounts. Fortunately, Apple Mail does a pretty decent job of catching those as well. However, I still get 10 or so false negatives a day and the occasional false positive. This means I have to continuously sift thru the sludge to make sure I didn’t miss an important email, which has happened. I used to have a pretty good server-based spam catcher, but it started randomly crashing my SMTP server, so I had to abandon it.

The thing that makes me slap my forehead is the fact that spammers wouldn’t continue their flood of garbage if they didn’t receive some sort of return. That means that some (albeit small) percentage of people out there are actually dumb enough to fall for their pitch and follow the link. It’s pretty simple, folks: if they have to resort to such low-life ways of getting their message out, their message is not worth hearing, and is most likely a scam of some sort.

I know sending emails is a relatively cheap way to get the word out, but even so, I’ve got to think that if the click-thru rate on this spam went to zero, the spam would dry up.

I think what is needed is some sort of authenticated email system. The ability to send anonymous email over SMTP is entirely too easy. If people had to attach their true, authenticated identity to each email they sent, things would be much more above board. Shine the light and the cockroaches tend to scatter. I can’t think of hardly any scenarios where true anonymous email is necessary, can you? In the rare case where it might be, there is probably a different channel available for that communication.